Nov 19/08
Lo-calorie Zouk Substitutes

I’ve been travelling way too much over the last few weeks and haven’t had any time to write. Luckily Benn loxo listener, Ian, sent me a great guest post.
I’ve always had a soft spot in my heart for zouk, the syrupy-sweet dance music that spread from Guadaloupe to nearly every French-speaking country in the world. It was the first style of music that I learned to dance to—or, more importantly, the first music that I learned to dance to with a girl. It’s not hard to like zouk on the dance floor: it’s relatively slow, the step is simple, and the dancers’ bodies are pressed together very, very snugly. With the right partner (and maybe a rum cocktail or two) a night of zouk can be quite, you know, inspiring.
Unfortunately, the problem with zouk becomes apparent when you take it out of the disco. It’s just too sweet, too full of high-calorie synthesizers and cloying vocals (its name means “sugar” in Kreyol, after all). It’s not something you can drop on the turntable at a dinner party or bump in your car on the highway. It’s not hip to like zouk; the stuff is musical junk food.
But just as junk food always has a more nutritional alternative, I’ve always figured that there must be guilt-free alternatives to zouk that keep its flavor while cutting down the calorie content. And indeed, there are. Here are some examples that I’ve found recently:
First up is Bwa Bandé, a Paris-based group that plays a style from Guadaloupe called gwoka. Gwoka, which shares its origins with Puerto Rican bomba and Haitian petwo drumming, is typically played on drums made from recycled rum barrels and covered with goat-skin heads. The larger drum, the boula, plays the fundamental rhythm while the smaller, the markeur, matches the movements of the dancers. The drums are accompanied by singers and small hand percussion, like gourd shakers and small wooden casks beaten with sticks. Gwoka vocals usually have a rough edge and a distinctive warbling vibrato that helps them cut through the sound of the drums.
“Toput je pa je,” Bwa Bandé’s ode to the game of dominoes, updates these vocals with dancehall-style toasting from Krys; it also features the one-note trumpets called vaksen used in carnival music.
Next is Emeline Michel. She’s a New York-based Haitian singer best known for mizik rasin, or roots music. It’s a tradition-minded amalgam of several Haitian styles: rara carnival music, twoubadou singing and, especially, vodou ceremonial drumming. All of the songs on Reine du Coeur, her latest album, are built around traditional rhythms like banda and petwo. She modernizes these sounds with electric guitars and bass, but (fortunately) dispenses with the synthesizers so loved by zoukistes.
Last is Jacques Schwarz-Bart, a Swiss-Guadaloupean saxophonist who was raised between Switzerland and Guadaloupe. As a child he learned to play gwoka. After studying jazz saxophone at the Berklee School of Music, Schwarz-Bart went on to play with some big names of jazz and soul, including Danilo Perez and D’Angelo.
On Soné Ka La, Schwarz-Bart melds the rhythms of gwoka with jazz, soul and reggae. “Pe-La” is the most radio-friendly track on the album, thanks to the dancehall-style vocals of Admiral T. “Déshabillé” features Jacob Desvarieux, the gravel-voiced lead singer of legendary zouk band Kassav’. The rest of the album is more jazz-oriented, toeing the line between tropical jazz and the easy stuff you might hear in a dentist’s office.
Check out the videos for these songs, as well as some great examples of old-fashioned gwoka drumming and dancing, here:
Bwa Bandé, “Tout jé pa jé”: http://www.youtube.com/watch?v=TERZPgil_z8
Emeline Michel, “Gade Papi”: http://www.youtube.com/watch?v=qn7hHwISric
Jacques Schwarz-Bart, “Pe-la”: http://www.youtube.com/watch?v=raHfPqBdPRs
Gwoka in Pointe-à-Pitre, Guadaloupe: http://www.youtube.com/watch?v=y6h1MJNchoQ
Groupe Lewoz Gwadaloup Dubout, Guadaloupe: http://www.youtube.com/watch?v=hCMScQ9tUYw
Thanks for the music and insight, Ian.
Stay tuned over the next few week or two for some music from some of the places I’ve been over the last few weeks: Iceland, Romania, Ireland, England, Hungary, Italy, Turkey, Switzerland…
I just heard from Ian that there’s a Jacques Schwarz-Bart concert in NYC tomorrow night. Check it out and get back to us!
Bwa Bandé – Ké Byen
Bwa Bandé – Toput’ Jé Pa Jé
Emeline Michel – Gade Papi
Emeline Michel – Twa Fey
Jacques Schwarz-Bart – Déshabillé feat. Jacob Desvarieux
Jacques Schwarz-Bart – Pé La feat. Admiral T













Thanks for the post, Ian. Nothing but heat-seekers. Bwa Bandé and Jacques Schwarz-Bart have found a permanent place in my playlists.
thanks a lot for the song “Jacques Schwarz-Bart – Pé La feat. Admiral T”
great voice because strange.
cordialy
nouchema
I went to see Jacques Schwarz-Bart at SOBs in Manhattan last night. His show was cool, but the real revelation was the second act, Francois Ladrezeau and Alka Omeka. Pure gwoka–just percussion and vocals. Amazing.
(Though the MC introduced Ladrezeau as coming “straight from the streets,” he actually played for a while with free-jazz saxophonist David Murray and the Gwo-Ka Masters. You can check him out on YouTube or iTunes.)
If you live around NYC and want to hear other roots Kreyol music, there will be another big show at SOBs on Dec. 7.
[ "...It’s not something you can drop on the turntable at a dinner party or bump in your car on the highway. It’s not hip to like zouk; the stuff is musical junk food. ..." ]
Yes, but I can do. If you feel zouklov’, it works.
I love the sphere from that sound if it has no R’n'B inside.
The point is gwoka is folklore or maybe you talk about jazz kreyol – zouk is popmusic.
Nice post, though i must disagree with your acessment of zouk. Like another poster mentioned, zouk is just pop music, but it is very diverse (hard zouk has been making a comeback after years of being supplanted by zouk love).. And there are many younger artists fusing traditional bele, gwo ka as well as other rhythms with the musical form. Check out Valerie louri, Loriane Zacharie, Soft and Dominik Coco. Dede St. Prix is a veteran from the pre zouk era that has been working with many younger artists to keep the roos alive. I wish another caribbean pop form, soca was as rich and creative.
BTW, I have both the Stbart and Michel CDs. However, I wouldn’t group Emeline’s music as zouk.
Best
http://valerielouri.com/
http://dailymotion.alice.it/video/x5347f_valrie-loury-yich-madinina-belya-pr_music
http://dailymotion.alice.it/video/x5bv20_misik-s-travail-nou-ransay-senin-ka_music
http://www.dailymotion.com/video/x2jw3n_boogie-flaha-omadinina_music
http://www.dailymotion.com/video/x6z2ue_azewo-groovndiz-kontribann_music
[...] @ Ben Loxo, Matt recently had a guest post about Zouk, a genre worth defending. The english wikipedia zouk article is meh (but the french article is fun) [...]
Kenyatta,
Those are great links! Thanks for the info.
By the way, I didn’t mean to classify Emeline Michel or the other artists as zouk.
In fact, the idea of the post was to present some alternatives to zouk that share some of its positive characteristics, while departing from the sugary pop sound that zouk-haters complain about.
Ian
[...] – Los Silver Star Mamela – Skeat via Masala ke byen – Bwa Bandé via Benn Loxo Du Taccu Jumakoka – Bazuko DIGITAL Wining Master {La Douma Riddim} – Pamputae Heavy T {La Douma [...]