Aug 29/05
Synth-free Ivoire
In another concerted effort to get more Ivoirian music onto the site, here’s Benn loxo listener, Ian, with a guest post:
“After Cote d’Ivoire gained independence in 1960, Abidjan became the center of the francophone African music industry. Huge stars from all over the continent recorded there. Like many other French-speaking African countries, CI was mostly dominated by Afro-Cuban salsa, Ghanaian highlife and Congolese soukous; for the most part, local styles were overshadowed by the slick, studio-produced music of big-name artists.
Ernesto Djedje, from the Bete ethnic group of southwest CI, was originally a school teacher. He played guitar in his spare time, mostly copying American soul and Congolese rumba. Seeing the lack of a “native” Ivoirian pop style to rival those of neighboring countries such as Guinea and Ghana, he was inspired to modernize a traditional Bete rhythm called “ziglibithy.” He combined a traditional rhythm section with a modern arrangement of guitars, bass and horns to develop the unique sound that is considered to be CI’s first original pop style. It was a huge hit that dominated the airwaves and discos for much of the late ’70s.
Unfortunately, Djedje’s success was short-lived. He released only two records, then died in 1983 of a mysterious stomach ailment blamed, inevitably, on sorcery. Some lesser-known Bete artists continued to play ziglibithy with some success, but the style was overshadowed in the ’80s by zouglou and, especially, the reggae of megastar Alpha Blondy.”
Thanks for the great music, Ian. I really enjoyed this pick. You can buy these tunes on the 2001 release, Le roi du ziglibithy available at Stern’s.
Ernesto Djedje – Assouna
Ernesto Djedje – Zibote

As a tip of the hat to 
Last night I took some much-needed down-time and read a couple articles in the Lagos Glendora review. Lagos always strikes me as a simulatenously sad and incredible city, and this edition of the Glendora sums that feeling up pretty nicely. As much as I love the city’s energy, arts and contrasts, I can’t help but feel bad for the majority of its residents. Yes, Lagos is unlike any other city and yes, it’s a vibrant, interesting place to live. But most of its inhabitants live in squalor, and even those with a reasonable income live in constant fear of violent crime, police corruption and robbery.
While biking home today some Ivoirian music popped into my head. So many of you have been asking for it, so…